The Rise of Man/Woman/Chainsaw: A Musical Odyssey
The music scene is buzzing with the explosive debut of Man/Woman/Chainsaw, a South London band that defies easy categorization. Their album, 'Cannonball,' is a sonic adventure, blending genres with a unique flair. This review delves into why their sound is a breath of fresh air in the industry.
A Smashing Debut
'Cannonball' opens with a bang, and I mean that quite literally. The first track, 'Only Girl,' grabs your attention with a snare crack, followed by a tidal wave of sound. But here's the twist: it's not just noise. The band masterfully weaves together shoegaze guitars and violins, creating a dreamy atmosphere while maintaining a strong pop melody. It's this balance that sets them apart.
Many bands fall into the trap of being 'weird for weird's sake,' but Man/Woman/Chainsaw, as guitarist Billy Ward puts it, is different. They're not your typical art-rock band from Brixton Windmill. Their music is an artful blend, prioritizing the song and infusing it with a vibrant, joyful energy.
Genre-Bending at its Finest
One of the standout tracks, 'Canyons,' begins with a honey-sweet vocal that could easily be mistaken for Adele or Alicia Keys. But just when you think you've got them figured out, they twist the genre knob. The song descends into a grunge assault, reminiscent of dEUS, yet it retains a raw, authentic edge. This ability to surprise and delight is a hallmark of their style.
'Still Angry' is another prime example. It has all the makings of a mainstream pop hit, but the band adds their signature rock twist, making it a unique, captivating listen. This balance between accessibility and experimentation is what makes Man/Woman/Chainsaw so intriguing.
Live and Let Bloom
The band's live performances are where their true essence shines. With a lineup that includes lead vocals shared by Ward, Emmie-Mae Avery, and Vera Leppänen, each bringing their own unique style, they create a dynamic and captivating stage presence. The addition of violinist Clio Starwood, guitarist Billy Doyle, and drummer Lola Cherry adds layers of complexity and energy.
Their live shows are a testament to their hard work and dedication. Having played over 100 gigs by the age of 19, they've honed their sound in converted vicarages and sweaty pub backrooms. This experience is evident in their music, which feels both raw and refined.
A Musical Journey
'Nosedive' is a standout track, showcasing the band's versatility. It blends the cinematic tension of Arcade Fire with the dancefloor energy of LCD Soundsystem and Los Campesinos. This ability to draw from various influences while creating something entirely their own is remarkable. The song's chorus is anthemic, destined to be sung at festivals, leaving audiences blissfully swaying.
'Godddamn, Lizard Man!' pays homage to Nick Cave's gothic charm while updating it for a modern audience. The lyrics, with their dark humor, add a layer of intrigue to the band's already captivating sound.
Beyond the Debut
'Cannonball' is a remarkable debut, showcasing the band's range and talent. From the tango-inspired 'Flick Of The Wrist' to the trip-hop-infused 'Something Else To Give,' each track is a journey. The album is a testament to their growth since their raw debut EP, 'Eazy Peasy.'
What's truly exciting is the potential they've yet to fully unleash. As they refine their sound, they're poised to become a force in the industry. This year's Mercury Prize nomination is just the beginning. Man/Woman/Chainsaw is a band to watch, and their 'Cannonball' is a splash that will resonate for a long time.
